One
Say what you'll do
Fixed quotes, written scope, a real calendar. If we can't hit your date, we say so before you pay, not after.
About
Small studio, single standard
CRISTINA CURPAN is the kind of studio you hope for when you're tired of disappearing editors: reachable, honest about timelines, and quietly good at the work.
The studio
Started from a simple annoyance
CRISTINA CURPAN began in 2019 as a reaction to a familiar problem: editors who vanish mid-project, promise dates they can't keep, and blame the footage when it goes wrong. We decided to run the opposite way — one editor, every project, in writing.
Today the studio works with filmmakers, photographers, agencies and creators in fourteen countries. It stays deliberately small. When you write to us, you're writing to the person who will cut your film — not a dispatcher.
- Based in Chișinău, Moldova; clients everywhere
- English-first communication, timezone-friendly
- Every brief and quote documented in writing
Principles
What we hold ourselves to
Two
Do it properly
Pacing, sound, color — the unglamorous work that separates a cut from a sequence of clips. No shortcuts, no presets.
Three
Respect the material
Your footage is confidential, handled securely, and never reused. Trust is the only thing we're actually selling.
Toolbox
Standard tools, kept honest
We work in professional editing, grading and retouching software on calibrated displays, with redundant storage for every project. Nothing exotic — just properly maintained equipment and a backup habit.
- Professional NLE, color suite and photo software
- High-resolution and high dynamic range workflows
- Encrypted transfers and redundant project backups
Behind the name
CRISTINA CURPAN
Editor & Colorist · Founder, CRISTINA CURPAN
Cristina has spent more than six years behind the timeline — documentaries, commercials, music videos and creator work. Every project goes through a single consistent hand on every cut: the same editor and colorist from first frame to final master.
Off the clock: shooting test footage to build LUTs, studying light, and reading more camera manuals than is healthy.